Ok, back? Good. Now, a little context: a few weeks ago, a friend posted the first two of those on Facebook, which led to a very interesting discussion in the comments. I kept thinking about the issues raised in these (and the other two, which were linked off the others), and they helped me define the issues I saw with Astrid in the How to Train Your Dragon movies, as described in the post linked above.
Because here's the thing: the articles are right. Strong Female Characters as they currently appear all too often in media are a flawed and ultimately unhelpful way to depict gender relations. At the same time, though, Strong Female Characters arose as an attempt to solve these problems, and to replace the even more flawed roles assigned to women before this new archetype was created. And I suspect that the vast majority of content creators who include Strong Female Characters in their works are doing so out of a sincere desire to do right by women, whether for ideological or market-driven reasons, because they have been told again and again about the need to avoid the problematic tropes about women that have been floating around ever since people first started using vocal grunts to signify abstract concepts. While their efforts are not entirely successful and demonstrate a certain lack of awareness and sensitivity on their parts, it's not really fair to demonize the creators who do so, unless they work for Disney, in which case for crying out loud, they should know better by now.
I also think that the debate about gender equity in fiction is too often approached from a perspective of things NOT to do. And to be fair, there are an awful lot of things on that list. But I wonder sometimes if the problem is that we spend all our time telling creators they're doing it wrong and not enough giving suggestions on doing it right. The Bechdel test is one of the more helpful offerings; it offers a basic, easy-to-follow checklist for creators to run through to see if they're doing it right. However, even the Bechdel test doesn't give terribly specific guidance about how to go about fixing a problem once diagnosed, and lord knows it's possible to write a thoroughly sexist and unenlightened story that passes the test; Bechdel is a helpful benchmark, but I think its primary value is as a statistical evaluation of fiction as a whole rather than a litmus test for individual works. And so creators - the test was originally and remains most often applied to movies, the vast majority of which are created by men - know that they AREN'T supposed to make women wimpy and submissive and reliant on men, but actual guidance on what they SHOULD be doing is sparse. And so they make female characters unwimpy and unsubmissive and (at least at first) unreliant on men, and if they're really daring, they try to create TWO such women, but they're still approaching the female sex as a list of don'ts rather than a list of dos.
So let's see if we can fix that.